By R. K. Narayan
A venerable tiger, previous and toothless now, appears to be like again over his lifestyles from cubhood and early days roaming wild within the Indian jungle. Trapped right into a depressing circus profession as 'Raja the magnificent', he's then offered into motion pictures (co-starring with a beefy Tarzan in a leopard pores and skin) until eventually, discovering the human global too brutish and bewildering, he makes a dramatic bid for freedom.
R.K. Narayan's tale combines Hindu mysticism with ripe Malgudi comedy, viewing human absurdities during the eyes of a wild animal and revealing how, fairly all at once, Raja unearths candy companionship and peace.
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Additional info for A Tiger for Malgudi (Penguin Twentieth-Century Classics)
The old man was not only his father, he was also a father to the whole village. ’ The women want him. He clung to the old man and said: ‘I will stay here all night. ’ The noise was stoked by the drum. In his soft voice, the drummer bellowed, ‘The night’. The gleam of gold flashed from his mouth. The men moved towards the fire and lit up their hands. They formed a circle. They sang. A young man moved towards the middle. He spun to the right, he spun to the left. He stamped hard onto the ground and it threw him up high.
The feet did not move in a rhythmical way and the salon’s walls did not send back echoes. Whenever my steps fell on the salon floor, I tried to be the one who was always reading, the one whose features were moulding to the shape of words harvested over years. It did not matter that some would know some of these words and some would know me and make me known to some of the others. I felt that being known by some was a way to be known by all. I was one of those not ready to know anyone, those who seemed like the floor of the salon, whose relations changed with every change in people’s footsteps.
We have dates, and some of us have wheat. The finest traveller is the Abdulaziz Mashri 33 one who brings his provisions along in unknown regions. ’ ‘Good deeds,’ said Atiyya bin al-Sarawi, ‘are in that which God chooses. If we were to leave it aside, there would be no blame upon us. ’ 2 They knocked on the door of the most outlying house in the village. They knocked calmly and with confidence, like one who had been guaranteed of the excellence of their night’s resting place. ’ said a woman’s voice from behind the wooden door.